Bill Keller is an American journalist. He is Editor-in-Chief of The Marshall Project. He was a columnist for The New York Times, and was executive editor from July 2003 until September 2011. source
If a candidate for president said he believed that space aliens dwell among...
Buying an aggregator and calling it a content play is a little like a...
Whether or not Twitter makes you stupid, it certainly makes some smart people...
There is something decidedly faux about the camaraderie of Facebook,...
Every time my TweetDeck shoots a new tweet to my desktop, I experience a...
The most obvious drawback of social media is that they are aggressive...
I do care if religious doctrine becomes an excuse to exclude my fellow...
The Democrats generally recoil from the subject of entitlements.
I have nothing against conservative people putting out conservative...
Every technology, including the printing press, comes at some price.
I don't have dating tips.
Liberation movements - prizing ends over means - are not always particular...
Liberation movements - operating surreptitiously and conspiratorially -...
I don't think fairness means that you give equal time to every point of view...
One of the most important disciplines in journalism is to challenge your...
There's no question that sources sometimes have interests aside from the...
I don't think that there is absolute freedom of the press. We operate under...
The curse of a journalist is that he always has more questions than answers.
People crave trustworthy information about the world we live in. Some people...
For all of the woes besetting our business, I believe with all my heart that...
Since September 11 2001, editors in America have faced some excruciating...
My view of social media is that it is a set of tools, not a religion.
Twitter and Facebook are brilliant tools, the journalistic uses of which are...
I think there's a misconception that I'm opposed to social media.
I don't think anyone at Fox believes they are producing even-handed,...
For us in England, the relative value of the pound against the dollar, that has a huge impact on how easy it is to get our films made in the U.K.